clmr
My name is Megan. I appreciate art, nature, music, space, intelligence, humor, and you. I am not interesting, but am interested in the interesting.
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I am a woman with a body. For that I offer no explanation, shame, excuse or apology. In a culture obsessed with women shrinking, confidence is controversial. It is courage. I’m taking my peace back.
— Erin Brown 

joeylondon:

 Bianca Luini :Where I See Fashion

There are those who search at length for inspiration, be it for a writing piece, sculpture, or fashion, but then there are artists who look no further than what is right in front of them, finding beauty in everyday objects, colours, and shapes. This week we are highlighting the wonderful blog WISP –– Where I See Fashion by Bianca Luini for her wonderful imagery and abstract view of clothing. The blog curator showcases clothing alongside art pieces with corresponding elements of colour, shape, and layout, with even a single image triggering the creative process for designers, which develops into a whole line of clothing or textile designs.


shoeboxtony:

untitled. mark rothko, 1969.

shoeboxtony:

untitled. mark rothko, 1969.


too-fan-to-function:

What an inspiration



blastedheath:

Martin Ålund (Swedish, b. 1967), Chemistry 1 : 9, 2013. Oil on canvas, 80 x 100 cm.

blastedheath:

Martin Ålund (Swedish, b. 1967), Chemistry 1 : 9, 2013. Oil on canvas, 80 x 100 cm.


blue-voids:

Jochen Hein - Stardust, acrylic on jute, 2008

blue-voids:

Jochen Hein - Stardust, acrylic on jute, 2008



Spirit by Yasuhiro Onishi

Spirit by Yasuhiro Onishi




What is the feeling when you’re driving away from people and they recede on the plain till you see their specks dispersing? - it’s the too-huge world vaulting us, and it’s good-by. But we lean forward to the next crazy venture beneath the skies.
— On The Road, Jack Kerouac

renebhullar:

Lake Louise | Somewhere in Alberta
August 2014


prostheticknowledge:

Satoshi Kon - Editing Space & Time

Insightful tribute to the great Japanese animator director Satoshi Kon who died 4 years ago this week. Tony Zhou has put together a short video essay to present the sophisticated editing style and scene compositioning of Satoshi which has inspired many well known Hollywood productions - video embedded below:

Four years after his passing, we still haven’t quite caught up to Satoshi Kon, one of the great visionaries of modern film. In just four features and one TV series, he developed a unique style of editing that distorted and warped space and time. Join me in honoring the greatest Japanese animator not named Miyazaki.

More Here